EXEKATLKALLI - House Of The Winds EXEKATLKALLI - House Of The Winds

                       

The facade of Exekatlkalli (House of the Winds) a privately owned estate, feature the rarest of murals created by Mexico’s most important and influential artist and muralist of the Twentieth Century, Diego Rivera. Rare because they all relay unique messages. Rare because they are the last ones he completed before his death in 1957. And rare because they are the only Diego Rivera murals to exist on privately owned land in the entire world. House of the Winds not only possesses the facade murals, which draw hundreds of thousands of art enthusiasts from around the globe each year, but also three additional murals located in the maestro’s studio - two gracing the exterior patio and one covering the entire ceiling of his studio. These registered historic landmarks were created in 18 months, from 1955 to 1957, in which time Rivera also painted 24 stunning sunset scenes and produced numerous lithographs of Dolores Olmedo’s children.

EXEKATLKALLI is combination of Nahuatl words meaning “House of the Winds” to reflect Dolores Olmedo’s estate name.  Diego Rivera created the murals as a dedication to Dolores (Lola) Olmedo as this mural shows with their names.

                                                    

On the 20 meters long, right side, the mural represents Tlaloc accompanied by Coatlicue plus inscriptions in a kind of niche (similar to an intaglio) on the wall  near the entrance gate  that say “Exekatlkalli”  (House of the wind), Tlalokan;  in blue, vertical and in a parallel direction, Dolores Olmedo, Diego Rivera.

The Aztec god Tlaloc was believed to be the god of rain, fertility, and lightning. He was one of the three main gods of the Aztec’s being Tlaloc, Huitzilopochtli, and Quetzalcoatl. Tlaloc was considered a beneficent god but was also greatly feared for he could cause floods, drought, or lightening.

           

Coatlicue: ‘the serpent lady’. She was the Aztec earth goddess, the tribal god of the Aztecs. She magically became impregnated while still a virgin by a ball of feathers that fell on her while she was sweeping a temple. She gave birth to Quetzalcoatl and Xolotl, shown on the left side mural and talked about further into this article. Coatlicue, also known as "The Mother of Gods", is the Aztec goddess who gave birth to the moon, stars, and Huitzilopochtli, the god of the sun and war. The word "Coatlicue" is Nahuatl for "the one with the skirt of serpents".

On the 12.70 meters long, left side, located directly under the studio Quetzalcoatl is represented beside the “sapo-rana” (“toad-frog”) that is offering its heart to the lady owner of the house.  A coyote Xolotl (twin brother of Quetzalcoatl) can be observed. The dog symbol is the hairless dog (Xoloitzcuintle) that Dolores has for pets at the House of the Winds. Diego Rivera’s initials and Roman numerals (DR LVI) representing the year (1956) the mural was completed. On the first floor studio patio ceiling another mural can be seen as well.

                      

Quetzalcoatl is two Nahuatl words joined together to form the meaning feathered (or plumed) serpent. Although ancient mythology provides many contradicting tales as to exactly who or what Quetzalcoatl actually was, the most common tale depicts him as a king. An admired hero who is credited with beginning the cultivation of corn, the teaching of weaving, the polishing of stone, the invention of the calendar, and the teaching of the movement of stars, among many other things. His demise came as he was seduced by drunkenness and sensuality. Upon realizing this, with much woe, he then burned his palace, buried his treasure, donned feathers and a green mask and vowed to return one day as he set adrift.

                                               

Sapo-Rana is an actual species of Bolivian frog, but literally translated in Spanish, it means toad-frog. Diego Rivera often compared his likeness to that of the sapo-rana as a way of poking fun of himself. In this mural the Sapo-Rana (Diego Rivera) is offering his flaming heart to Dolores Olmedo, his patron and life-long friend.

                                                         

 In Aztec and Toltec mythology, Xolotl is the god of lightning who guides the dead to the Mictlan. The Aztec regards him as the twin brother of Quetzalcoatl. As lord of the evening star and personification of Venus, he pushes the sun at sunset towards the ocean and guards her during the night on her dangerous journey through the underworld. Xolotl is represented as a skeleton, or as a man with the head of a dog. Xoloitzcuintle (pronounced show-low-eats-quint-lee) is a rare hairless breed of dog native to Mexico also referred to as Xolos. They were considered sacred dogs by the Aztecs and many people today still believe that they possess a variety of healing qualities. Ranging in size from 10 lbs. to 50 lbs., they are known for their strength, agility, strong guardian instincts and elegance. Their dominant trait of hairlessness originated as a spontaneous mutation thousands of years ago. Archaeological evidence shows that the breed existed in the New World for more than 3,500 years and in 1492 when Columbus arrived in the Caribbean, his journal entries noted the presence of strange hairless dogs. In 1887 the breed was among the first to be registered by the American Kennel Club (AKC) only to be removed in 1959 due to its perceived extinction. The Xoloitzcuintle breed will be readmitted to the AKC in January 2009. Dolores Olmedo was extremely fond of the Xoloitzcuintle breed and, even today, two keep watch over House of the Winds and 18 roam the grounds of La Noria.

The ceiling murals in the studio murals have not been open for the public viewing. The dove and olive branch depicted here is one of the symbols in the ceiling murals which tell of the love story from Diego to Dolores.

                                   

Just when Diego Rivera returned from U.S.S.R. in 1956 and being already in Acapulco, he portrayed on the studio the letter that he sent to Lola who was in Europe:  “From the land of peace the artist toad flew through the clouds to deliver its palette and its heart to its beloved”.  The letter to Lola Olmedo is represented on the ceiling of the studio by a dove; the land of peace is represented by the hammer and sickle (U.S.S.R.); there is a plane, fish, the toad (symbol of Diego Rivera) and the heart (Dolores Olmedo) with four stars (her children).

The mural on the ceiling of the studio, along with all of the other murals on the estate are magnificent works of art and for the first time are being offered for sale.

 

 

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